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Pluraleyes 4 tutorial full#
While the price tag is a bit steep for the full version, if you’re regularly working with multiple camera angles, the amount of time you’ll save is well worth the price of admission.
Pluraleyes 4 tutorial update#
(PluralEyes 4 is the only major update to this year’s Shooter Suite.)
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You can check out a review of the rest of the products in the suite here. PluralEyes is available as a stand-alone purchase, or as part of Red Giant’s Shooter Suite, a bundle of products centered around logging and working with footage on location. Pluraleyes will occasionally miss a clip or two, if it’s noisy or if the duration is just too short for it to find a sync point, but compared to the amount of time you’d spend syncing without it, it’s totally forgivable. When Adobe announced built in audio-based synchronization in Premiere a few years back, I thought maybe PluralEyes wouldn’t be around for much longer.īut alas, the Adobe audio sync is pretty terrible, and I’ve seen it fail more often than it works, while PluralEyes can handle many individual clips, several angles and long durations with relative ease. PluralEyes 4.0 is able to detect Offload events and bring footage over, for a seamless workflow from Offload to PluralEyes to the host-app.Pluraleyes is still second-to-none in the performance category. Red Giant Offload performs a checksum during media transfer from camera card to hard drive, giving filmmakers the peace of mind that footage was backed up with no loss.
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Pluraleyes 4 tutorial pro#
Now, export from PluralEyes to Premiere Pro features a color coding option for clips that don’t sync properly. New in version 4, when drift is detected, PluralEyes will automatically fix it, then give editors the option to toggle between the drift-corrected sync and the original audio for comparison.Īn essential feature from the PluralEyes beginnings, color coded visuals show editors the progress of the sync, making it easy to make adjustments. PluralEyes can account for this and export a perfect sync with Automatic Drift Correction, announced in version 3.5. When syncing long clips, sound and video can tend to stop matching up perfectly. Your files will be sorted so that media from the same device are on the same track. Drag and drop an entire folder of media into PluralEyes, and during a sync it will automatically detect which device the media came from. Importing media is easier than ever with PluralEyes’ Smart Start feature. Giving users ease of mind, PluralEyes in Premiere Pro offers the same color coding capabilities as it does in the standalone version, so editors will know which clips, if any, require attention. Sporting a completely updated look, additional new features include:Īll the power and simplicity of syncing in PluralEyes without ever leaving Adobe Premiere Pro – just hit the sync button in the Premiere Pro Panel and PluralEyes takes care of the rest. Syncing audio and video clips in PluralEyes is now easier than ever, with flawlessly synced media just a click away thanks to under the hood enhancements that allow PluralEyes to analyze footage and automatically choose the the best possible options, so the user doesn’t have to. the brand new PluralEyes v4.0, one of the (if not the) most popular and effective tools for syncing audio to multiple video streams. With a touch of a single button, PluralEyes analyzes the audio from your cameras and audio devices and syncs them up, in seconds.